Ken Kocienda, the engineer who led the team that created the original iPhone keyboard and predictive text system, wrote a book titled “Creative Selection: Inside Apple’s Design Process During the Golden Age of Steve Jobs.” So there’s at least one real engineer for you who speaks highly of Jobs.
They aren’t nameless. They write books and go on podcasts, their thoughts on Jobs are available to us. Plenty of them praise Jobs for driving them to do their best work.
It’s not false advertising because it did everything it was advertised to do in the introductory demo when it went on sale six months later. Google is the one faking their demos.
EDIT: Apparently everyone on this website is insane
The inmates are running the asylum
Bingo. It was kinda cute at first when it was still trying to be funny, but as the parody pretense slowly fell away it just got boring.
The strangest part about it is how each episode is a remix of a Trek episode and yet the remix makes it very clear that the writers just don’t get it. For example, season 2’s “Blood of Patriots” is a rearrangement of “The Wounded,” but the subplot about Mercer and Malloy being best friends forever trivializes what TNG successfully depicted as a nuanced dilemma.
There’s no accounting for taste, but it genuinely surprises me that there seems to be so many Star Trek fans who think it’s any good. On the other hand, it seems pretty safe to say that season 3 was the last, so clearly the actual numbers were unremarkable.
What a lovely episode.
I saw a fair amount of skepticism across the Fediverse about how musical episodes are always bad and annoying, to which someone would always respond “well, Buffy nailed it.” Apparently the SNW writers feel the same way, because “Subspace Rhapsody” isn’t just a homage to “Once More With Feeling,” it’s a love letter. They may have swapped the demon for a subspace wedgie, but they kept the idea of using music to force the characters to confront their feelings about each other, and they even threw in a bunny callback.
10/10. I hope SNW maintains the tradition of a theatrically silly episode near the end of each season as long as it runs!
But again, the notion that NX-01 was called “Dauntless” before the Borg First Contact incursion is your headcanon. No one working on Enterprise ever attested to that, and Cromwell’s casting as Cochrane is certainly not evidence of this alteration.
You started this conversation by saying “They did the same thing for First Contact” and I just want to know who “they” is and what the “same thing” that “they did” is. You’ve brought up this Dauntless/Enterprise theory twice now but that’s certainly not evidence that any “they” did any “thing.” As far as I can tell it is your headcanon for a relatively minor inconsistency that could have any number of other explanations, the most obvious one being that Arturis got a detail wrong.
I just find it incredibly hard to believe that anyone working on Enterprise was working on the assumption that they were creating a show in a timeline that was “altered” by the events of First Contact. That was never alluded to in the show’s four year run and as far as I know no one working on that show ever said anything of the sort.
How does Cromwell reprising Cochrane in “Broken Bow” support the notion that Enterprise is in a different timeline from all previous Star Trek? I don’t see how these things are connected at all.
Interesting headcanon, but headcanon nevertheless. I’d wager heavily that neither the First Contact nor Enterprise production staff share this interpretation, much less intended it.
they have the actors say “these events weren’t supposed to happen” repeatedly on screen?
The purpose of the “time has been altered and we need to fix the timeline” conversation that occurs near the beginning of every time travel story is definitely not to inform the audience that every subsequent installment of Star Trek will occur in an altered timeline.
In fact, it’s just the opposite. The entire reason the characters are so concerned with restoring the timeline is that they want to return to their lives in an unaltered timeline.
I don’t really care if they mess around with continuity if continuity is interfering with a good story they want to tell. My point is that the SNW writers are making a clear and concerted effort to maintain continuity.
Has the writing staff of First Contact ever confirmed, on the record, that it was their intent to alter the timeline? Has the writing staff for Enterprise ever indicated that they intended to depict an “altered” timeline?
and there could be some minor adjustments with the characters to accommodate the story that showrunners want to tell.
Other than the Kelvin timeline where they said up front “THIS IS A DIFFERENT TIMELINE,” when has that ever happened?
Keep in mind, we’re talking about showrunners who contrived a reason for Pike to be “fleet captain” for a single episode just so they could have Kirk and Pike interact without invalidating one line from TOS: “Court Martial.” These are not the type of Star Trek fans who are going to make “minor adjustments” and justify it with “well you see back in S02E03 we changed the timeline, so now we can do whatever we want!”
There’s also nothing that indicates Kirk didn’t serve on the Enterprise in another role before getting promoted
Hm, here’s an interesting formulation for all or part of a final season:
Kirk and Spock working together for a year or so would give us a chance to explain the unusual situation where Spock is simultaneously science officer and XO. By the end of this season you’d have the full TOS crew in place. (Minus perhaps Chekov, or maybe he’s a cadet like Uhura was in season 1.)
You’re characterizing what is likely to be the best reviewed game of the year as “nothing special” and you “don’t see how” that’s a hot take? Really?
What exactly do you think “hot take” means?
Hence, “hot take.”
deleted by creator