David Ayer continues to be optimistic that his cut of 2016’s Suicide Squad will see the light of day. The director said in a new interview that he’s “hopeful” that his versi…
I don’t hate the original version. But it has so many flaws, I’ve never watched it a second time. Just not a true-to-the-spirit comic adaptation. I never care about direct copying of plots from comics, and I’m very open to modified back stories as well; after all, the tradition of alternate realities in comics is canon.
But they need to stay true to the spirit of the character/s. If they can’t do that, then there’s no point in it. If you make a Spider-Man movie/show and he’s this grim, uber-serious person, it isn’t going to work (most of the time)
And that’s where the first suicide squad failed. Pretty much, Harley was the only one that was close enough to their “spirit” for it to work. Everyone else felt like they just copied the look partially, then wrote without bothering to read anything about the character.
Comics have that freedom in a way book adaptations don’t. Books and comics made into movies trade on the idea of established fan bases being the initial “butts in seats”. With books, established fans expect not only the characters, but the plots to adhere to the printed original (otherwise, it isn’t the same thing at all, and they might as well just call it a parody and be done). But comic fans love a good alternate reality. But if the company can’t be bothered to understand the characters that make such things interesting in the first place, it’s a fail.
I dunno, I guess it’ll be worth one watch.
I don’t hate the original version. But it has so many flaws, I’ve never watched it a second time. Just not a true-to-the-spirit comic adaptation. I never care about direct copying of plots from comics, and I’m very open to modified back stories as well; after all, the tradition of alternate realities in comics is canon.
But they need to stay true to the spirit of the character/s. If they can’t do that, then there’s no point in it. If you make a Spider-Man movie/show and he’s this grim, uber-serious person, it isn’t going to work (most of the time)
And that’s where the first suicide squad failed. Pretty much, Harley was the only one that was close enough to their “spirit” for it to work. Everyone else felt like they just copied the look partially, then wrote without bothering to read anything about the character.
Comics have that freedom in a way book adaptations don’t. Books and comics made into movies trade on the idea of established fan bases being the initial “butts in seats”. With books, established fans expect not only the characters, but the plots to adhere to the printed original (otherwise, it isn’t the same thing at all, and they might as well just call it a parody and be done). But comic fans love a good alternate reality. But if the company can’t be bothered to understand the characters that make such things interesting in the first place, it’s a fail.